Introducing: KILL ME NOW by Helen Price đȘ
Introducing: KILL ME NOW by Helen Price đȘ
Latest book
Share this:
About Introducing: KILL ME NOW by Helen Price đȘ
We are delighted to reveal the STUNNING cover of Kill Me Now by Helen Price â your next YA murder mystery obsession!
This spine-chilling YA crime thriller is jam-packed with tense murder mystery, nasty school cliques and first crushes; think Riverdale meets One of Us is Lying.
Thanks so much to Michaela Alcaino for the BEAUT of a cover, Kill Me Now is out 12th February 2026!
Pre-Order your copy of Kill Me Now with CRIMINALLY GOOD BOOKSHOP for a signed bookplate with your copy!
Q&A
We asked Helen a few questions for some delicious *spoiler free* goodness to get us through to publication day!
What inspired you to become a writer?
Iâve written for most of my career but mostly boring stuff like corporate communications (aka, the kind of thing youâd only read if forced to). So, when my teen son ran out of action-packed books, I thought: âHow hard can it be?â (Spoiler: very hard đ
). But then, I joined the Golden Egg Academy and learned how to actually write, and from that point on, I was hooked.
How long did it take you to write KILL ME NOW?
About a year, which is basically record time for me. Thrillers are tricky to write because youâve got to layer in twists, red herrings, and keep the tension cranked high enough to stop readers from scrolling TikTok. But honestly, thatâs my favourite part.
Did you face any major challenges during the process?
Since Guyâs family runs a funeral business, I couldnât exactly rely on Google (let's face it, that would get really weird, really fast). So, for research, I went behind the scenes at a real funeral home. Some might call that creepy. I call it fascinating. And yes, I did take notes. Lots of notes. â°ïž
Whatâs your favourite YA crime/thriller novel (apart from KILL ME NOW, obviously)?
Ooooh, tough one. Iâd go with One of Us Is Lying by Karen McManus. Sheâs basically YAâs Queen of Crime đ. That book kept me guessing until the very end, which is rare, because my family hates watching thrillers with me since I usually ruin them by guessing the ending halfway through. And if weâre talking ultimate plot twist? I'd say, We Were Liars by E. Lockhart. Best. Ending. Ever. đ€Ż
Give us a sneak peek - whatâs one crime trope weâll find in KILL ME NOW?
Take your pick: Small town with dark secrets, an overload of red herrings, or⊠multiple murders. Yup, spoiler alert: thereâs a serial killer on the loose.
Whatâs one fun or unexpected fact about you?
I once set my hair on fire (accidentally!) in the next room to President Clinton and had to be rescued by his secret service agents. True story. đ„đ Also, I have a black belt in karate⊠but unfortunately it didnât help much in that situation.
The Times/Chicken House 2025 Shortlist is Here!
The Times/Chicken House 2025 Shortlist is Here!
Latest book
Share this:
About The Times/Chicken House 2025 Shortlist is Here!
Phew, that was tough! The longlist this year was super strong â so strong, in fact, that we couldnât bear to whittle it down to only five titles.
YA won us over this year, with 5 YA titles and 1 Middle Grade making the shortlist.
The Fane and the Fruit Wagon by Olive M. Morris
The Less-Than-Perfect Life of Jaya Kapoor by Shefali Kharabanda
Nothing Good Happens After Midnight by Hannah Nathan
Secret Wolf by Beth Holland
Skelly Boy by George Wigzell
The Wranglerâs Daughter by Marianna Shek
Huge congratulations to our shortlisted authors. To anyone who was longlisted but didnât reach the shortlist, never fear: weâll be providing you with a handy readerâs report with some feedback from our team.
Now, it is over to our fantastic panel of judges to decide on the winners. Weâll be announcing the result in November as well as opening next yearâs competition. Watch this space!
Unveiling The Times/Chicken House 2025 longlist!
Unveiling The Times/Chicken House 2025 longlist!
Latest book
Share this:
About Unveiling The Times/Chicken House 2025 longlist!
The Times/Chicken House Children's Fiction Competition 2025 longlist is here!Â
Thank you to everyone who entered the Times/Chicken House Children's Fiction competition - the UK's biggest competition for unpublished children's writers. As always, the standard of entries was incredibly high and our readers are continually blown away by the imagination and talent of authors â this year we have fifteen fantastic titles on the longlist.
YA led the charge this year, with 11 YA stories and 4 middle-grade stories making the longlist. As always, there is a wonderful range of stories. From fantastical jinn familiars and chronobears to tennis courts and new schools, our longlistees' scope of imagination is unparalleled!
Here is the 2025 longlist:
- A Mystery at Whisper Lake by Julia Blackburn
- Azel and the Jinni Familiar by Zareena Nazimudeen
- Dancing on Fire by Villy Tichkova
- The Fane and The Fruit Wagon by Olive M. Morris
- The Less-Than-Perfect Life of Jaya Kapoor by Shefali Kharabanda
- Love-Love by Sally Hewitt
- Nothing Good Happens at Midnight by Hannah Nathan
- The Potentials by Adrian Woodland
- PSIÂ by Harriet Worrell
- Secret Wolf by Beth Holland
- The Seven Wonders of Westerley Point by E. K. Luke
- Skelly Boy by George Wigzell
- The Turquoise Thief by Essie Brammer
- The Warlock at Ridge Valley by Mike Hibbert
- The Wranglerâs Daughter by Marianna Shek
Massive congratulations to our talented longlisted authors. We canât wait to find out which of these stories will reach our shortlist â and which will win our two prizes of publication! We hope to announce the shortlist here on our website and across our social media channels early September, so watch this space for more news . . .
New books: July 2025
New books: July 2025
Latest book
Share this:
About New books: July 2025
We have two spectacular summer stories to kick-start the holidays! (more…)
What winning has meant for Lucas Maxwell
What winning has meant for Lucas Maxwell
Latest book
Share this:
About What winning has meant for Lucas Maxwell
Lucas Maxwell was announced as the winner of the 2024 Times/Chicken House Childrenâs Fiction Competition, an annual prize that aims to uncover new talent in childrenâs fiction. His story, You Have Selected Power Drive, is the story of Elias, an autistic fourteen-year-old boy growing up in a snowy rural town. Unbeknownst to Elias, his older brother Bo struggles with addiction.
Pitched as being for fans of The Perks of Being a Wallflower and My Sister Lives on the Mantelpiece, judges praised Maxwellâs accomplished writing and the endearing warmth of the story.
In this Q&A, Lucas discusses the inspiration behind his winning story, his writing journey, and what the experience of working with Chicken House has been like so far âŠ
What inspired the story that won you the Times/Chicken House Prize?
I wrote the story because I felt it had always been swirling around in my head for a very long time and I thought it was something worth telling. Itâs inspired by events that transpired when I was younger and growing up in rural Canada. I didnât realise it at the time, but looking back, I realise that my brother and I had a somewhat unique experience and I wanted to write it all down. We were surrounded by a lot of interesting characters and there were some ridiculous and traumatic events that have remained in my mind. Ultimately, I wanted to tell a story that will stick in peopleâs minds.
Can you tell us a bit about your writing journey before the competition?
Iâve been writing for as long as I can remember. I wrote ghost stories and poems and stories about UFOs and bigfoot when I was a little kid. I tried very hard to have my short stories published when I was a teen. They never made it to publication, but there were two events that I never forgot and that kept me going.
I received a rejection letter from a small Nova Scotian publisher and the guy who ran the publisher sent me a hand-written note that told me he was sorry that he couldnât publish it but to keep going, that there was something there he could see that was good in the work.
The second was when I was in a very low place and gave a short story to a university professor, she held it up in front of the class, read it and then announced that one day Iâd be a published author. That was over twenty years ago now, but it never left me.
What made you decide to enter the competition?
I really felt this story was pretty good and at the same time was feeling somewhat disheartened by the process of finding an agent. I know now how hard it can be to find an agent but at the time I was just frustrated and was being quite hard on myself about the entire process. I felt like I had a great story but I didnât know what to do with it. When I saw the competition, which just seemed like a breath of fresh air, I decided to give it a try.
How did it feel when you found out youâd won?!
Leading up to the event, I had, like most people Iâm sure, trained myself to accept that I had lost. I felt pretty relaxed up to a certain point, then, as the announcement got closer, I felt really lightheaded and strange. I was standing behind a few people and I could see the stage and it all just hit me and I felt really sad for some reason. I think in my head I knew I wasnât going to win and I was trying to accept it, but when you make it that far itâs hard not to want it to be you.
I remember Shalu, my editor from Chicken House, came and stood beside me and said something. I donât remember what it was, but she is so nice and has a calming presence and it made me feel a lot better.
Then one of the judges, Lucy Bannerman, stood up on the stage and said something about the winning book making her feel cold just reading it and a light went off in my head as I knew my book was set in a Canadian winter and I thought that maybe there was a chance. And before I could get that thought out I saw my face on the screen as the winner and I donât remember anything I said after that. It changed my life, I know that much.
Whatâs it been like working with Chicken House since your win?
They are amazing people. I have been fortunate to see them in person since I won and they really have been the best group of people to work with. I am working with Shalu on the edits and she is the best, I know sheâs championed the book from day one and I owe her a lot. I owe all of them a lot. This has been a dream of mine since I was a little kid scribbling down ghost stories under a blanket with a flashlight, stories Iâd tell to make my brother laugh, and it would not have happened without them. They genuinely seem invested in every single detail of this book and I am very grateful to be working with them.
What has surprised you most about the publishing process?
Iâm very fortunate that through my role as a school librarian Iâve met a lot of authors and Iâve always picked their brains about the process. Therefore this has given me a lot of insight into the publishing process over the past decade. So what Iâve been surprised the most is how Chicken House has been asking me for the âfeelingâ of the book to help with titles and book covers and that was a pleasant surprise.
I went into it so worried that I would not have as much input on things like that, and Iâve really enjoyed exploring the book again and ensured Iâve squeezed out everything that I want from it to give Chicken House a complete picture.
Any tips for writers who are thinking about entering in the future?
Get someone else to read your story. I say this because for a very long time I was reluctant to let anyone read this story because itâs so personal. However, when someone else reads your story they will find things you would never pick up on and it will be a huge help.
Also, try to give yourself enough time to finish your story, not look at it for a few weeks or even a few months and then go back over it line by line. Again, you will find all kinds of things, not just spelling and grammar mistakes but plot holes or things that donât make sense.
Craft a good synopsis, and donât forget that you should spoil the ending in your synopsis, I didnât realise that for a long time. My last tip is to simply take the leap and try, I never in a million years thought Iâd win so donât let self doubt get in your way.
Whatâs next for you and your writing?
I have two things Iâm working on that Iâm really excited about. I donât think I can talk about them at this time but Iâm very excited about the stories. One is essentially pure comedy and the other is very, very sad, so they couldnât be more different, but at the moment I am very proud of both of these stories and I would be very grateful if they make it onto shelves one day.
What books or authors inspired you as a young reader?
When I was a kid I read a ton of comic books, I was obsessed with The Punisher because they felt like comics that I shouldnât be reading at that age. But when I was around nine or ten, my teacher read The Hobbit to us in class and I was completely hooked.
I became obsessed with that story and anything like it. My brother, who was older, gave me a book called The Crystal Shard by R.A. Salvatore which is part of a fantasy series that I also became obsessed with. This series introduced me to the world of Dungeons and Dragons and that has also had a huge impact on me. As a teen I read Sometimes a Great Notion and The Catcher in the Rye which were also life-changing for me.
If you could give your pre-entry self one piece of advice, what would it be?
To not be so hard on myself. I think because writing is often a very isolating process we can beat ourselves up and simply exist in a cloud of self doubt. I would tell myself that the fact that I had even written a novel is a huge thing, itâs massive, and itâs something not to be sniffed at. Iâd tell myself that the story Iâve written is worth reading, Iâd try to convince that person to be nicer to themselves.
Writing for Modern Teens - Top tips from Marisa Linton
Writing for Modern Teens - Top tips from Marisa Linton
Latest book
Share this:
About Writing for Modern Teens - Top tips from Marisa Linton
Times / Chicken House award winning author and professor Marisa Linton shares her top tips for writing YA for modern teenagers below!Â
The Binding Spell is in the tradition of classic fantasy â the books I loved as a kid â but its lead characters are modern teenagers. For the story to work, they needed to speak like young people do now, and have the kind of preoccupations that teenagers would find familiar â family problems, lack of money, anxiety, worries about identity, friendships, relationships.
Top Tips
Writing for YA presented me with all sorts of challenges. Even my kids are in their twenties. But I spent many years in higher education. Teaching young people necessitates keeping pace with their energy, blazing honesty, and alert, enquiring minds. For any writer over the age of 25 years old, making sure you get your teenage characters right will require some extra thought and research so here are my tips for writing a novel for teenagers:
- Donât be âdown with the kidsâ, especially if, like me, you are generations older. Teenagers are quick to sniff out condescension and inauthenticity. Be your true self. Rather than crafting a book that was consciously âfor the teensâ, I wrote a story I hoped anybody â including teenagers â would find exciting.
- Teenagers could be doing a lot of other things than reading your book. You need to dive straight into your story, drawing readers in with dialogue, tense situations, characters they can identify with. Some young readers will bear with long slow developments. Most wonât.
- Some things about being young donât change â uncertainty over identity, anger at the state of the world, intense emotions. Remember what it was like to go through those things, how it made you feel. Use those feelings.
- So many things are utterly different for todayâs teenagers â the internet, social media, growing anxiety over the kind of world they will inherit. How you deal with that as a writer depends on the kind of story youâre writing. But even with high fantasy, or historical fiction, modern attitudes are going to come in. We see everything refracted through our own eyes.
- The voice is key. If youâre over about 25, youâll need to work on that. Listen to youngsters and how they talk. If there arenât any young generationals around you, some tv can help, though not American shows as so much about the style of speaking is different.
- Does your dialogue feel natural, like the sort of thing teenagers might say? Speaking it aloud helps.
- Slang is a tricky one. Donât try too hard to be up to date, because it can feel fake and may date quickly. Put in just enough that it sounds fresh without seeming contrived.
- In the first versions of The Binding Spell my teenage characters didnât swear. That had to change. To be ârealâ they had to know the sort of words that British teenagers know â and use them.
- Beg or bribe youthful people to read your dialogue and to be frank about anything that sounds jarring or dated. Some of the funniest and enlightening debates I had with my kids were about the phrases their generation uses.
- Technology changes so fast, as do cultural references â what people watch, what they listen to â so I was deliberately vague about that.
Marisa's novel THE BINDING SPELL is out now; find out more here!
New books: May 2025
New books: May 2025
Latest book
Share this:
About New books: May 2025
In a month of sequels and standalones, we have three exciting magical mysteries coming to you this May ... (more…)
What winning has meant for Marisa Linton
What winning has meant for Marisa Linton
Latest book
Share this:
About What winning has meant for Marisa Linton
Marisa Linton won The Times Chicken House Childrenâs Fiction competition in 2023 â and that winning YA novel, The Binding Spell, is publishing incredibly soon.
A stand-alone contemporary fantasy novel thatâs rich with folk horror elements, The Binding Spell launches on May 8th, and is available to pre-order now! Here, Marisa walks us through her path to publication through The Times Chicken House competition, and talks about all things rejection, making our long and short lists, and what itâs like to work with Chicken House ⊠Enjoy â and over to you, Marisa!
______
The Binding Spell
I didnât think The Binding Spell would be the kind of book Chicken House would want. Itâs very much a young adult story, part folk horror, part burning romance, a kind of mash-up of The Wickerman and This Country.Â
A young family is stuck in a remote village, where the Dad is carrying out an archaeological dig â and he begins to uncover ancient Celtic artefacts that should have stayed hidden. His daughter starts to realise that this is bad â very bad. She suspects that the mysterious young guy sheâs drawn to is somehow involved in the secret, but she canât work out how.
Dealing with rejection
Iâd already had a lot of rejections for the story. Sadly, rejection is a routine experience in this really tough industry. I wasnât going to try The Times Chicken House Childrenâs Fiction Competition, thinking they would be looking for middlegrade novels (age 9â12), until a friend talked me into it just before the deadline. You lose nothing by trying.Â
I reworked my submission package (though the manuscript itself was the same one so many agents had turned down) and sent it off. I tried not to think about it, and got on with other projects. Easy to say, hard to do, though Iâd had a lot of practice.
Making the long and short lists
When I made the longlist I kept my hopes in check, telling myself I could use that to query again. Then came the day Barry Cunningham (Publisher and Chicken House MD) phoned me to tell me Iâd made the shortlist.Â
I have full-on imposter syndrome, and the call took me completely unawares. I couldnât think straight. He asked what inspired me to write the book. I had no idea. I wasnât even sure which book he was asking me about. I gabbled about liking old stuff. Barry waited patiently â I guess heâd met that kind of incoherent reaction before.Â
Winning the prize
Chicken House hosted a Big Breakfast event where the two winners were announced. Itâs also where Chicken House and their authors talk about books theyâll publish in the coming year, with people from the publishing world come along to see whatâs planned. I joined the other shortlistees, and we waited for the announcement to be made. I was convinced one of the others had won. They were all lovely and really nervous like me, and Iâm sure they all really deserved it. But still . . . I clung on to those last few moments, thinking âat least you still have hope, they havenât said yet that you havenât won, not yetâ âŠ
When they called my book out, I was so stunned I couldnât take it in. I worried theyâd made a mistake. Imposter syndrome again. Someone nudged me to go up on the podium, and they handed me flowers, and a badge with the Chicken House logo. I think it was the homely touch of the badge that made me start to realise this was really happening, that my book would be published, that I had actually made it.Â
In that one moment everything changed for me. Afterwards the Chicken House team took all us shortlistees to a restaurant. Several previous winners came too. That personal touch and their sheer friendliness helps make Chicken House special. They work hard to support you, and make you feel that your book â and you â are important to them.
Publication is now on the horizon!
And now, sixteen months later, The Binding Spell is on the verge of being published. The process has been straightforward. The team is really supportive and professional. My editor, Shalu Vallepur, has been fantastic in guiding me through the edits, helping me make cuts and shape up the back story, and the final book is much better for it.Â
Why did my book win? Well, Iâd like to think itâs because itâs the best book ever ⊠Yeah, sure, in your dreams. But I do think that the way Chicken House chooses its winners makes a difference. The whole team is involved in reading the entries and everyone has their input. Seven judges make the final choice. Also, Barry himself â heâs set up a culture where the team can afford to follow their instincts, whereas the way that commercial publishing works makes most agents and editors very cautious and risk averse.
I still have the badge. Like the Romans with the statues of their household gods, I keep it in a special place â on the shelf beside the kitchen table where I write. To remind me â yes, this really did happen to you.Â
My best advice?Â
Write the book you really want to write, that only you can write, and make it the best you can. Be resilient when rejections come â which they will. Keep going regardless. And please enter this competition. You lose nothing by trying â and you may succeed.
Thank you for this amazing insight into the process, Marisa! To be in with a chance at winning the 2025 iteration of The Times/Chicken House Childrenâs Fiction Competition, please take a look at our submissions page. We canât wait to read what youâre creating!
What winning has meant for Marisa Linton in the news
What winning has meant for Marisa Linton
Marisa Linton won The Times Chicken House Childrenâs Fiction competition in 2023 â and that winning YA novel, The Binding Spell, is publishing incredibly soon.
A stand-alone contemporary fantasy novel thatâs rich with folk horror elements, The Binding Spell launches on May 8th, ...
What winning has meant for Jasbinder Bilan
Childrenâs author Jasbinder Bilan won The Times/Chicken House Childrenâs Fiction Competition in 2017 with her debut, Asha and the Spirit Bird. Since winning the prize, Jasbinder has written 10 books, won the Costa Childrenâs Book Award, and has built a full and ...
What winning has meant for Jasbinder Bilan
What winning has meant for Jasbinder Bilan
Latest book
Share this:
About What winning has meant for Jasbinder Bilan
Childrenâs author Jasbinder Bilan won The Times/Chicken House Childrenâs Fiction Competition in 2017 with her debut, Asha and the Spirit Bird. Since winning the prize, Jasbinder has written 10 books, won the Costa Childrenâs Book Award, and has built a full and brilliant career as a childrenâs author.Â
Ever inspired by Jasbinder and her passion for storytelling, we caught up with her to chat about The Times/Chicken House Childrenâs Fiction Competition, how she writes now, and whatâs coming next âŠ
Asha and the Spirit Bird won the competition in 2017 â thatâs now 8 years ago! How has life changed for you since winning the prize?Â
Winning the prize changed everything! It made my childhood dream of becoming a published author come true. The biggest change is probably that I am now lucky enough to write full time.
Did you ever anticipate Asha and the Spirit Bird being the catalyst for this career as an author?Â
I put so much effort and hard work into writing Asha, but I honestly never dared to believe it might lead to an actual career. There are so many other great books out there, so the fact that Asha started my writing journey brings me such happiness.
Is there anything about the book that youâd change now, 8 years on?
When you write your first book, you have the luxury of time on your side and the opportunity to experiment â so by the time I entered it for the competition, I had tried all sorts of different scenes. And I also had the wonderful Kesia Lupo as my editor so I wouldn't change anything, actually!Â
How has your writing process evolved since writing Asha and the Spirit Bird? Do you still work in the same way, or have you made changes along the way?Â
The one thing that has changed in my writing process is that I have less time for the early stages of creativity. I used to have more time to be playful and use my sketchbook to collect inspirations. However, I think I have become better at holding the story in my head and editing as I go.Â
What upcoming projects are you excited about? (This can be anything, it doesnât have to be Chicken House related!)
Since publishing Asha, I have had so many wonderful opportunities to work collaboratively so I hope I can do more of those. But Iâm getting really excited about what Iâll write next for Chicken House. I have six books under my belt with Chicken House, and theyâve all been different so I canât wait to see where my inspirations will take me!
Whatâs the one piece of advice youâd give to writers considering entering the prize this year?
Thereâs an awful lot of noise out there, and sometimes I think that can be overwhelming and also make you doubt the book that sits in your heart. So Iâd say write your story, make it the best you can, and press send!Â
A big thank you to Jasbinder for answering our questions. To be in with a chance at winning the 2025 iteration of The Times/Chicken House Childrenâs Fiction Competition, please take a look at our submissions page. We canât wait to read what youâre creating!
What winning has meant for Jasbinder Bilan in the news
What winning has meant for Marisa Linton
Marisa Linton won The Times Chicken House Childrenâs Fiction competition in 2023 â and that winning YA novel, The Binding Spell, is publishing incredibly soon.
A stand-alone contemporary fantasy novel thatâs rich with folk horror elements, The Binding Spell launches on May 8th, ...
What winning has meant for Jasbinder Bilan
Childrenâs author Jasbinder Bilan won The Times/Chicken House Childrenâs Fiction Competition in 2017 with her debut, Asha and the Spirit Bird. Since winning the prize, Jasbinder has written 10 books, won the Costa Childrenâs Book Award, and has built a full and ...
WIN a DELUXE SLEEP KIT when you order A BETTER NIGHTMARE
WIN a DELUXE SLEEP KIT when you order A BETTER NIGHTMARE
Latest book
Share this:
About WIN a DELUXE SLEEP KIT when you order A BETTER NIGHTMARE
Order A BETTER NIGHTMARE by Megan Freeman from any retailer and send your proof of purchase to us via this FORM to be in with the chance of winning a deluxe sleep kit including an Unwind the Mind gift set from The Body Shop, Clippers Sleep Time Tea, a Satin feel sleep mask and an Aery Before Sleep candle.
ENTER HERE: https://forms.gle/43SGTo4CRoRZMJ319
Order your copy before 23:59 on Sunday 13 April to be in with the chance of winning:
- An 'Unwind the Mind Gift Set' from The Body Shop
- Clipper Sleep Time Tea Bags
- Satin Feel Sleep Mask
- Aery 'Before Sleep' Candle
Terms & Conditions
- The âEntrantâ is the person completing the online entry form.
- Â Only one entry per person is allowed.
- Entrants must be aged 18 or over. Entrants must be residents of Great Britain and must provide a valid British address upon entry. This prize draw is not open to employees or contractors of the Promoter or the Publisher, their immediate families, nor to any other person connected with the prize draw.
- There will be one prize winner, who will win a deluxe sleep kit including an Unwind the Mind gift set from The Body Shop, Clippers Sleep Time Tea, a Satin feel sleep mask and an Aery Before Sleep candle.
- The Promoter reserves the right to amend the specification of the prize or offer an alternative prize of equivalent status. No cash alternative will be offered. The Prize is non-transferable.
- Unsuccessful entrants will not be contacted. The decision of the Promoter on all matters is final.
- A random draw of all valid entries will take place within six working days after the closing date above to select the winner(s). The winner(s) will be notified by telephone or email, and MUST respond by midnight within seven days of the date of contact, providing a valid GB address for the prize to be dispatched to. If a selected winner does not meet all of the entry conditions or refuses the prize, another entrant will be selected at random from the remaining eligible entries within a reasonable timeframe.
- In exceptional circumstances the Promoter may be required to terminate, amend or withdraw this promotion and/or these terms and conditions.
- Entry to the prize draw is conditional on acceptance of these terms and conditions, which are governed exclusively by English Law and under the exclusive jurisdiction of the English courts. By entering this prize draw you are deemed to have read and accepted these terms.
- The contact details you provide upon entry to the prize draw will be used by the Promoter to contact entrants if necessary to notify winners or to check eligibility requirements have been met, and will not be shared with other companies except to the extent necessary to provide the prize. The Promoter will only use your email address and other personal information in compliance with the provisions of the General Data Protection Regulation (including any amended, equivalent or subsequent legislation). Chicken House Privacy Policy can be viewed HERE.
WIN a DELUXE SLEEP KIT when you order A BETTER NIGHTMARE in the news
WIN a DELUXE SLEEP KIT when you order A BETTER NIGHTMARE
Order A BETTER NIGHTMARE by Megan Freeman from any retailer and send your proof of purchase to us via this FORM to be in with the chance of winning a deluxe sleep kit including an Unwind the Mind gift set from The ...
The girl with the rebel heart â Ally Sherrick
The girl with the rebel heart â Ally Sherrick
Latest book
Share this:
About The girl with the rebel heart â Ally Sherrick
What if your country was at war? Except the enemy was made up of friends and neighbours, even members of your own family. And what if that enemyâs army was camped right outside your door, and refused to let you leave, threatening that if you didnât surrender, it would fire its guns on you and burn your house to the ground?
Thatâs exactly what happens to 14-year-old Merriweather Pryce, the rebellious, brave-hearted hero of my new historical adventure story, Rebel Heart.
The book is set during an exciting but very dangerous time in our history known as the English â or British â Civil Wars when King Charles I and his supporters, known as royalist âcavaliersâ, fought against Parliament and its army of âroundheadsâ or ârebelsâ. When the story opens, a force of roundhead soldiers is preparing to attack Merriâs family home of Compton Blaize manor. With her father, Sir Richard Pryce, away fighting for the king and only a small troop of men to protect them, Merri fears her stepmother, Lady Ellinor is going to give up the fight before itâs even begun and surrender to the enemy. Determined to rescue Compton Blaize, she disguises herself in boyâs clothes, and with only her pet jackdaw, Merlin, for company, sets off to get help.
But in a land full of enemy soldiers, turncoats and spies, there are dangers at every turn and Merri will need all her wits and courage to save her home and her family ...
I got the first sparks of the idea for Merriâs story when I visited two very special places â Corfe Castle in Dorset, and Basing House in Hampshire, not far from where I live. They are both ruins now, but at the time of the Civil Wars nearly four hundred years ago, they were grand houses owned by families who, like Merriweatherâs, were loyal to the king. Both shared the same fate, coming under attack or âsiegeâ by Parliamentâs forces, and once captured, were deliberately ruined or âslightedâ to stop them taking part in the war again. But the thing which interested me most of all was learning about the brave women who had led their defence, holding out against the enemy and its guns for weeks on end while their husbands were away fighting.
This was enough to set my story whiskers twitching. After doing more research, I discovered plenty of other examples of courageous lady-defenders on both sides. Also, of other daring women and girls who acted as message-carriers, gold-smugglers and sometimes even as spies, or âintelligencersâ as they were called then. And then there were the women who disguised themselves as men and followed the army to be with their husbands, or else to join in the fight as soldiers in their own right. Thereâs a well-known story that Oliver Cromwell, the famous roundhead general and later Lord Protector, discovered a suspected young âshe-soldierâ in his troop by asking her to sing.
When I started to cook up the characters â especially Merri and Lady Ellinor â and the plot for my story, how could I resist putting all of these brilliant ingredients into the pot? But I needed a villain too â which is where Abenazar Shine comes in. I wonât say any more about him though â I donât want to ruin the surprise!
There are two nail-biting battle scenes in the book. The first is the famous, real-life Battle of Naseby, part of the exciting climax to Merriâs desperate mission to find her father and bring him back to defend their home. The second is the battle for Compton Blaize itself. As you might expect of a hero, Merriweather plays a key part in the action. But will the Pryce family motto â âFearless and Trueâ â and Merriâs brave rebel heart be enough to save the day? Youâll have to read the book to find out!
Meet the Judges for the Times/Chicken House Children's Fiction Competition 2025!
Meet the Judges for the Times/Chicken House Children's Fiction Competition 2025!
Latest book
Share this:
About Meet the Judges for the Times/Chicken House Children's Fiction Competition 2025!
Drumroll please ⊠Itâs time to announce our incredible lineup of judges for the 2025 Times/Chicken House Childrenâs Fiction Competition 2025!
While youâre busy polishing and perfecting those manuscripts, weâre prepping our judges and making sure theyâre ready to pick our 2025 winners. Submissions are open until 2nd June 2025, so if you want to be in with a chance of having these all-star industry professionals read your story, make sure you head to our submissions page.
But â before you tap away â read on to find out more about our illustrious 2025 judges.
BARRY CUNNINGHAM, PUBLISHER AND MD, CHICKEN HOUSE
Barry Cunningham has had an impressive career in publishing. After an English degree at Cambridge, he joined Penguin Books in 1977. As Childrenâs Marketing Director for Puffin, he worked with all the great names in childrenâs books including Roald Dahl and Spike Milligan, and was responsible for the re-launch of Beatrix Potter. In 1984 he was promoted to the Penguin Board and became responsible for the marketing of all Penguin Books, a position he held until 1988, when he was headhunted by Random House. In 1994 he was approached by Bloomsbury to set up their first childrenâs book list. Barry left Bloomsbury at the height of its success and, in early 2000, decided to start his own publishing company. The result was Chicken House, a lively and creative company publishing highly original and enjoyable childrenâs books, with a special emphasis on new fiction. He has been a judge for the competition since it's fruition.
LUCY BANNERMAN, THE TIMES REPORTER AND CHILDRENâS BOOK CRITIC
Lucy Bannerman is an award-winning journalist at The Times, who has been chasing stories for the past 20 years. She has reported from 24 countries around the world, covering everything from the funeral of Nelson Mandela to the Eurovision Song Contest in Azerbaijan.
She is a regular contributor to The Times magazine, Times Radio and the Stories of Our Times podcast. As the newspaper's children's book critic, the best part of her working week is sifting through the hundreds of stories and picture books - from the fantastical and magical to the comical and historical - that arrive in the mail room every week to find the one that will become 'The Times children's book of the week.' It is the only weekly review space dedicated to children's literature in the mainstream press.
She was Young Journalist of the Year 2006 but is older now.
TIM COMPTON, CO-HEAD OF CHILDRENS, LIME PICTURES
Tim Compton is joint Head of Kids & Family (alongside Angelo Abela) at Lime Pictures. Prior to this, he was a script editor and producer at HIT Entertainment and CBBC. For Lime, Tim was the story producer and core writer on the global hit House of Anubis (Nickelodeon) and producer and co-creator of Evermoor, which was the Disney Channel's first direct drama commission from outside the US. Tim produced and wrote for Free Reign, the Emmy award-winning Netflix original and was executive producer on the Emmy-nominated limited series Zero Chill, also for Netflix. He is currently executive producer on Wereworld, Limeâs first animated series for Netflix.
KAI SPELLMEIER, LITERARY SCOUT, MARIA B. CAMPBELL ASSOCIATESÂ
Kai Spellmeier is a German author and a Childrenâs & YA scout in London. He loves unapologetically queer literature and has been blogging about books on social media for years.
GYAMFIA OSEI, LITERARY AGENT, ANDREW NURNBERG ASSOCIATES
Gyamfia Osei is a Literary Agent at Andrew Nurnberg Associates, representing a dynamic list of childrenâs book authors writing from middle-grade up to New Adult. Gyamfia particularly loves accessible, kid-centric stories and joy-driven books that celebrate children from underrepresented backgrounds.
Among other accolades, her authors have been selected for the BookBuzz and Empathy Lab lists, as well as shortlisted for The British Book Awards, The Sports Book Award and UKLA Book Awards. Gyamfia was chosen as a Bookseller Rising Star in 2024.
SARAH WALLIS-NEWMAN, AREA SALES MANAGER, BOUNCE SALES & MARKETINGÂ
After beginning her career in books as a bookseller at Blackwellâs on Charing Cross Road, Sarah joined the small team at Chicken House selling rights and leading export sales. She is proud to have worked with authors such as Kiran Millwood Hargrave, Maz Evans and Lucy Strange and helped to sell them around the world. Now, working for Bounce as an Area Sales Manager, she represents over 40 childrenâs publishers, working with Independent Booksellers across the Midlands and the South West.
CHRIS SMITH, CHILDRENâS NOVELISTÂ
Chris Smith is a bestselling author and the joint recipient of the 2024 Ruth Rendell award for his work promoting literacy and campaigning for school libraries. Chris created the Kid Normal series with his friend Greg James and recently the pair published The Twits Next Door which became an instant bestseller. Chris is also a solo author and has published two fantasy adventures set in his fictional kingdom of Parallelia including Frankie Best Hates Quests. In January 2025 heâll be bringing back Enid Blytonâs classic characters in The New Famous Five: Five and the Forgotten Treasure. Before he was an author Chris worked as a newsreader and presenter on radio stations including Xfm and BBC Radio 1. His most famous news bulletin is probably the one sampled by George Michael in 1998 and used on his international hit Outside. Chris lives in London with his wife Jenny, their son Lucas and Mabel the cat.
LUCY JANE WOOD, CONTENT CREATOR & SUNDAY TIMES BESTSELLING AUTHOR
Lucy Jane Wood, author of the instant Sunday Times Best Seller Rewitched, is an online content creator, avid reader and cosiness-seeker from the Wirral. These days, youâll find her living in London, giant coffee in hand, and being headbutted at any given time by her cat.
LUCY JAKES, CHILDRENâS BUYER, WATERSTONES
Lucy Jakes is a Childrenâs Buyer at Waterstones. After working for three years as a Childrenâs and YA bookseller (all the while spreading the love for Chicken House titles), she joined Waterstones Head Office in 2022, where she is now the buyer for Picture Books, Baby & Toddler, Fairytale & Gift, Reference, and Activities & Hobbies, and helps run and judge for the Waterstones Childrenâs Book Prize. She has previously been a judge for the Times Chicken House Children's Fiction Competition and Books Are My Bag Readersâ Awards. When not working, she can be found painting, writing, and reading every Childrenâs book she can get her hands on.
Quite the list, we think youâll agree! Ready to submit your work for judging? Head to our submissions page for all the information youâll need. Good luck!
The Times/CH Children's Fiction Competition 2024 Winners!
The Times/CH Children's Fiction Competition 2024 Winners!
Latest book
Share this:
About The Times/CH Children's Fiction Competition 2024 Winners!
What a blast! We had a fantastic time yesterday at our Big Breakfast event, not only celebrating our 2025 authors and a very special 25th anniversary of the Coop, but we also hosted the Times/Chicken House Competition judging panel ... AND announced the winners!
The fantastic judging panel consisted of chairman and publisher Barry Cunningham, The Times reporter and childrenâs book critic Lucy Bannerman, agent Lydia Silver, childrenâs laureate Frank Cottrell-Boyce, literary scout Tessa Girvan, and Co-Head of Kids and Family at Lime Pictures, Tim Compton. They provided some fantastic and thoughtful feedback, a huge thank you to each one of our judges for their time and attention on our six shortlisted manuscripts â you are all stars!
Well, the time has come âŠ
DRUMROLL PLEASE!
The overall prize, the Times/Chicken House award â the prize of which is a ÂŁ10,000 publishing contract and the offer of agent representation â was won by Lucas Maxwell and his novel You Have Selected Power Drive!
You Have Selected Power Drive is the story of Elias, an autistic fourteen-year-old boy growing up in a snowy rural town. Unbeknownst to Elias, his older brother Bo struggles with addiction. Pitched as being for fans of The Perks of Being a Wallflower and My Sister Lives on the Mantelpiece, judges praised Maxwellâs accomplished writing and the endearing warmth of the story.
The Lime Pictures New Storyteller Award, awarded to the novel which shows the greatest TV development potential, was won by Tommy Finlayson and The Cornershop on Apocalypse Street. Tommy Finlayson wins a ÂŁ7,500 publishing contract and the offer of representation from agent Lydia Silver.
Described by judge Frank Cottrell-Boyce as an âidea I wish Iâd had firstâ, The Cornershop on Apocalypse Street is a post-apocalyptic YA story, about an interdimensional cornershop that travels to different apocalypses and fixes them for free. Judges were spellbound by the originality and scope of the novel.
Many congratulations to both winners - we are all looking forward to working with you here at the Coop!
Congratulations, too, to the rest of our shortlist for reaching the final six â the judges had a tough time deciding on the final two! Weâll be providing all of you with detailed feedback based on the panelâs thoughts.
The competition will be re-opening soon for 2025 entries - watch this space for more information!
RETURN TO INKWORLD UK TOUR!
RETURN TO INKWORLD UK TOUR!
Latest book
Share this:
About RETURN TO INKWORLD UK TOUR!
CORNELIA FUNKE IS COMING TO THE UK
THIS IS NOT A DRILL! To celebrate the launch of THE COLOUR OF REVENGE, a magical return to Inkworld after 20 YEARS, Cornelia Funke will be heading to the UK for a series of exclusive events. See more details below:
EDINBURGH, Friday 4th October
TOPPINGS & COMPANY EDINBURGH welcome Cornelia in an EXCLUSIVE Scottish event.
Book tickets HERE
CHELTENHAM, Saturday 5th October
CHELTENHAM LITERARY FESTIVAL are hosting an 'In Conversation' event between Cornelia Funke and Fun Kid's Radio's, Bex Lindsay. There will be a signing event taking place after the event.
Book tickets HERE
BATH, Sunday 6th October
BATH CHILDRENâS LITERATURE FESTIVAL are hosting an 'In Conversation' afternoon event with Cornelia in Waterstones, Bath.
Book tickets HERE
Grab your tickets today whilst stocks last. You can also pre-order THE COLOUR OF REVENGE here.
RETURN TO INKWORLD UK TOUR! in the news
RETURN TO INKWORLD UK TOUR!
CORNELIA FUNKE IS COMING TO THE UK
THIS IS NOT A DRILL! To celebrate the launch of THE COLOUR OF REVENGE, a magical return to Inkworld after 20 YEARS, Cornelia Funke will be heading to the UK for a series of exclusive events. ...
6 reasons we love the Dragon Rider series
The dragons are back - and soaring into bookshops everywhere this month! We're hugely excited to see Dragon Rider and The Griffin's Feather as books of the month in WH Smith and Waterstones respectively. In celebration, we've put together our top 10 fave reasons why we love Twigleg and co. so much!
The Times/Chicken House 2024 Shortlist is Here!
The Times/Chicken House 2024 Shortlist is Here!
Latest book
Share this:
About The Times/Chicken House 2024 Shortlist is Here!
Well, that was tough! The longlist this year was super strong â so strong, in fact, that we couldnât bear to whittle it down to only five titles.
This year we have an even split between YA and MG. From twins separated at birth to football in space, thereâs mystery and history, the quirky and the heartfelt.
- A Celestial Family â Meena Mistry
- Chance and the Seventh Son â Anna Hattersley
- The Corner Shop on Apocalypse Street â Tommy Finlayson
- Earth Elite â Alan Joyce
- The Wandering â Melissa Catena
- You Have Selected Power Drive â Lucas Maxwell
Huge congratulations to our shortlisted authors. To anyone who was longlisted but didnât reach the shortlist, never fear: weâll be providing you with a handy readerâs report with some feedback from our team. Now, itâs over to our fantastic panel of judges to decide on the winners. Weâll be announcing the result at the end of November as well as opening next yearâs competition. Watch this space!
Meet the Judges for the Times/Chicken House Children's Fiction Competition 2024!
Meet the Judges for the Times/Chicken House Children's Fiction Competition 2024!
Latest book
Share this:
About Meet the Judges for the Times/Chicken House Children's Fiction Competition 2024!
It's time to reveal our all-star lineup of judges for the 2024 competition ...
We are so excited to showcase the amazing panel for this year's competition. Manuscript reading is underway, and the submissions portal is still open, so if you want to be in with a chance of having these incredible industry professionals read your story, make sure to head over to the submissions page. But first, read on to see who those incredible industry professionals are ...
BARRY CUNNINGHAM, PUBLISHER AND MD, CHICKEN HOUSE
Barry Cunningham has had an impressive career in publishing. After an English degree at Cambridge, he joined Penguin Books in 1977. As Childrenâs Marketing Director for Puffin, he worked with all the great names in childrenâs books including Roald Dahl and Spike Milligan, and was responsible for the re-launch of Beatrix Potter. In 1984 he was promoted to the Penguin Board and became responsible for the marketing of all Penguin Books, a position he held until 1988, when he was headhunted by Random House. In 1994 he was approached by Bloomsbury to set up their first childrenâs book list. Barry left Bloomsbury at the height of its success and, in early 2000, decided to start his own publishing company. The result was Chicken House, a lively and creative company publishing highly original and enjoyable childrenâs books, with a special emphasis on new fiction. He has been a judge for the competition since it's fruition.
LUCY BANNERMAN, THE TIMES REPORTER AND CHILDRENâS BOOK CRITIC
Lucy Bannerman is an award-winning journalist at The Times, who has been chasing stories for the past 20 years. She has reported from 24 countries around the world, covering everything from the funeral of Nelson Mandela to the Eurovision Song Contest in Azerbaijan.
She is a regular contributor to The Times magazine, Times Radio and the Stories of Our Times podcast. As the newspaper's children's book critic, the best part of her working week is sifting through the hundreds of stories and picture books - from the fantastical and magical to the comical and historical - that arrive in the mail room every week to find the one that will become 'The Times children's book of the week.' It is the only weekly review space dedicated to children's literature in the mainstream press.
She was Young Journalist of the Year 2006 but is older now.
Â
TIM COMPTON, CO-HEAD OF CHILDRENS, LIME PICTURES
Tim Compton is joint Head of Kids & Family (alongside Angelo Abela) at Lime Pictures. Prior to this, he was a script editor and producer at HIT Entertainment and CBBC. For Lime, Tim was the story producer and core writer on the global hit House of Anubis (Nickelodeon) and producer and co-creator of Evermoor, which was the Disney Channel's first direct drama commission from outside the US. Tim produced and wrote for Free Reign, the Emmy award-winning Netflix original and was executive producer on the Emmy-nominated limited series Zero Chill, also for Netflix. He is currently executive producer on Wereworld, Limeâs first animated series for Netflix.
LYDIA SILVER, LITERARY AGENT, DARLEY ANDERSON
Lydia Silver is a Senior Literary Agent at Darley Anderson Childrenâs Agency. Since joining the agency in 2018, Lydia has built a wide-ranging list of dynamic and diverse writing and illustrating talent. Among other accolades, her authors have been picked as Blackwellâs Book of the Month, been shortlisted for the Waterstones Childrenâs Book Prize and the Jhalak Prize, and won the Diverse Book Award. She was chosen as a Bookseller Rising Star in 2022.
Â
TESSA GIRVAN, SCOUT, LUCY ABRAHAMS
Tessa is a literary scout for Children's and YA books, working with Lucy Abrahams Literary Scouting. Tessa studied Modern and Medieval Languages at Cambridge before taking up a work experience placement with a literary scout. She went on to work as a literary agent for translation, selling international rights for a wide list of Children's and YA authors. Since then, Tessa has written, edited and translated books for children, as well as moderating the Faber Academy Writing a Novel course. Tessa writes fiction for both adults and young adults, and she currently works with the Professional Writing Academy, providing editorial feedback for new writers.
Â
JOEL ROCHESTER, CONTENT CREATOR
Joel Rochester is your friendly neighbourhood cozy curator with a taste for the magical and macabre. Both an award-winning content creator, and an academic possessing a BA in Creative Writing and English Literature from Winchester. Between playing video games, browsing the nearest bookstore, and writing new stories, they possess an eagerness to embark on new adventures to undiscovered worlds.
Â
FRANK COTTRELL-BOYCE, CHILDRENâS NOVELIST
Frank Cottrell-Boyce is a children's novelist who won the Carnegie Medal for his first book - Millions - in 2004 and the Guardian Children's Fiction Prize for The Unforgotten Coat in 2013. Millions was made into a film by Danny Boyle, for whom Frank went on to work as the writer on the London Olympics Opening Ceremony, 2012. His other books include Framed (filmed by the BBC), Cosmic, The Astounding Broccoli Boy and Runaway Robot. He also wrote the three official sequels to Chitty Chitty Bang Bang. His films include 24 Hour Party People, God on Trial and Hilary and Jackie. His short work, The Great Rocket Robbery, was published for World Book Day in 2019. His latest novel, The Wonder Brothers, was published by Macmillan in July 2023.
LEAP YEAR OPEN COOP!
LEAP YEAR OPEN COOP!
Latest book
Share this:
About LEAP YEAR OPEN COOP!
Do you wish you had a professional editor on board to help you develop your childrenâs novel or idea? Well, this opportunity might just be for you!
Weâre delighted to announce a 24-hour open submissions period here at Chicken House, for finished or unfinished debut novels for children aged 7 up to (and including) YA, for the chance to gain mentorship from a member of our editorial team.
Writers selected during past Open Coops include Alison Weatherby (The Secrets Act) and Sabine Adeyinka (Jummy at the River School), both of whom went on to sign publishing contracts with Chicken House!
What we are offering
Our editorial team (consisting of Rachel Leyshon, Barry Cunningham and Shalu Vallepur) will pick their favourite submissions to receive feedback and mentoring. Weâd love to help you develop your idea or draft into a fully-fledged childrenâs novel with expert editorial input.
How to submit
In order to submit, please create a single Word document including the following material and email it to opencoop@chickenhousebooks.com between 12:01am and 11:59pm (UK time) on 29 February 2024.
A cover letter of no more than a page, single spaced, including a short pitch for your story, a little about yourself, and how far along you are with writing the novel.
A synopsis of not more than a page, single spaced, describing the story youâre writing from beginning to end (no cliff-hangers!). If you havenât decided on the full synopsis yet, thatâs OK â you can detail as much of the story as you have planned.
Either the first 1,500 words or the first three chapters of your novel (whichever is longest).
Please ensure the title of your email follows this format:Â OPEN COOP: [Your name] [Your title]
Entry is FREE!
Please note that due to the volume of submissions we receive, we are unable to respond to entrants individually either to confirm receipt or if you have been unsuccessful. We will only be in touch if we are interested in moving forward with your submission.
What to submit
Although we encourage submissions of childrenâs and YA novels of all themes and subjects, here are a few âwish listâ items from two of our editors âŠ
Rachel would love to see something from underrepresented groups, new perspectives, and animal stories for any age.
Shalu is interested in fantasy stories, Middle Grade or YA, that offer a fresh perspective. Own voice stories centred around culture and identity (especially food!) are always encouraged!
We canât wait to hear about what youâre working on!
FAQs
Will I receive a confirmation email once Iâve submitted?
No â unfortunately we donât have the ability to confirm receipt of your entry.
Can I send more than one novel/pitch?
No â Open Coop is limited to one submission per person.
Will you let me know if Iâm not successful?
We will be in touch with those weâd like to take forward within 3 months of entry. Sadly if you havenât heard from us by then, you have been unsuccessful on this occasion â but please try again next time!
Do I have to have written the full manuscript already?
No â if you have then thatâs great, but at this point weâre just looking for a great idea and a sample of your writing.
Whatâs the difference between the Times/Chicken House Childrenâs Fiction Competition and Open Coop â and can I enter Open Coop if Iâve already submitted to the Competition?
The Times/Chicken House Competition (which is currently open for unagented submissions) is for a full manuscript, there is an entry fee and the prize is a publishing contract. Open Coop is a much more casual affair, and not a competition â itâs for manuscripts at all stages of development, itâs free, and weâll be looking at submission samples and offering mentorship rather than a formal prize. Itâs fine for you to submit to Open Coop as well as the Times/Chicken House â even if itâs with the same book â particularly as they are assessed by two different teams of readers.
Iâm under 18 â am I able to submit?
Unfortunately not â for legal reasons you must be over 18.
I donât live in the UK. Am I eligible to submit?
Yes. We welcome all entries.
Can I submit my short story/poetry/graphic novel/picture book/non-fiction work?
No. Chicken House publishes childrenâs/YA fiction for ages 7+.
I have a literary agent? Can I submit?
No. Agented authors are not eligible to enter â after all, we accept ordinary submissions via all established literary agencies.
I have previously had published a short story/poem/picture book/non-fiction/academic title. Can I still enter?
Yes, you are eligible as long as you havenât had a full-length childrenâs novel commercially published, anywhere in the world.
LEAP YEAR OPEN COOP! in the news
LEAP YEAR OPEN COOP!
Do you wish you had a professional editor on board to help you develop your childrenâs novel or idea? Well, this opportunity might just be for you!
Weâre delighted to announce a 24-hour open submissions period here at Chicken House, for finished or ...
Our first Open Coop novel!
A couple of years ago we held our first Open Coop â a one-day amnesty in which writers could send their stories directly to us. From the huge amount of submissions we received, we discovered a brilliantly funny and quirky novel centering around the horror of all horrors: a chocopocalypse!
The 2024 Times/Chicken House Children's Fiction Competition is now open!
The 2024 Times/Chicken House Children's Fiction Competition is now open!
Latest book
Share this:
About The 2024 Times/Chicken House Children's Fiction Competition is now open!
Having just announced the 2023 winners, weâre so excited to share that the submissions portal for the Times/Chicken House Children's Fiction Competition 2024 is OPEN!
We can't believe it's that time of year again â we're so excited to see all of the bright ideas that have flourished over the last year. Here's the low-down on the two prizes up for grabs this year âŠ
The Times/Chicken House Prize
The prize you already know and love â a worldwide publishing contract with Chicken House with a £10,000 advance (subject to contract) for a complete fiction manuscript of any genre for children aged 7 up to YA. The winning entry will be the novel that, in the opinion of the judges, demonstrates the greatest entertainment value, quality, originality and suitability for children. The winner will also be offered representation by Lydia Silver of Darley Anderson Childrenâs Book Agency.
The Lime Pictures New Storyteller Award
We are bringing back the Lime Pictures New Storyteller Award, a bespoke prize sponsored by leading TV production company Lime Pictures, awarded to the submission which shows the greatest TV development potential and chosen by Chicken House Publisher Barry Cunningham and Lime Picturesâ Tim Compton. The winner will receive a £7,500 publishing contract plus an offer of representation.
The good news is, you donât need to do anything extra to be considered for the Lime Pictures New Storyteller Award; simply enter the competition as normal and our expert team of readers will do the rest. Simple!
The competition is open RIGHT NOW and the deadline is 1st June 2024 at 11.59pm GMT. So absolutely NO EXCUSES - grab that manuscript, or a completely fresh slate, and get writing â we can't wait to read all of the brilliant stories that are just waiting to be read.
For more details on the competition, both prizes, and instructions on how to enter, please visit our submissions page. Good luck, writers!
And the winners of the 2023 Times/Chicken House Children's Fiction Competition are âŠ
And the winners of the 2023 Times/Chicken House Children's Fiction Competition are âŠ
Latest book
Share this:
About And the winners of the 2023 Times/Chicken House Children's Fiction Competition are âŠ
Yesterday was a very exciting day for the Chickens â not only did we host our Big Breakfast event (in which we introduced our industry pals to our 2024 authors) but we also hosted the Times/Chicken House Competition judging panel ⊠AND announced the winners!
The judges meeting resulted in some fantastic, thoughtful feedback from our panel, which consisted of chairman and publisher Barry Cunningham, The Times reporter and childrenâs book critic Lucy Bannerman, Co-Head of Lime Pictureâs Kids and Family Tim Compton, agent Davinia Andrew-Lynch, author Frances Hardinge, scout and festival organiser Jane Churchill, Bounce sales rep CJ Gajjar, and Waterstones Childrenâs Team campaigner Lucy Jakes. A huge thank you to each one of our judges for their time and attention on our seven shortlisted manuscripts â you are all stars!
Well, the time has come âŠ
DRUMROLL PLEASE!
The winner of the Times/Chicken House Competition 2023 is âŠ
Marisa Linton with THE POUKA KING
And the winner of the Lime Pictureâs prize is âŠ
Asli Jensen with LOVE ON SIGHT
Many congratulations to you both â we canât wait to start working with you on your stories!
Congratulations, too, to the rest of our shortlist for reaching the final seven â any two of you were capable of winning and debate among the judges was very healthy! Weâll be providing all of you with detailed feedback based on the panelâs thoughts.
Watch this space for details of the 2024 competition, which weâre planning to open in December.
OMG! Create a window spectacular with Chicken House and Maz Evans
OMG! Create a window spectacular with Chicken House and Maz Evans
Latest book
Share this:
About OMG! Create a window spectacular with Chicken House and Maz Evans
This autumn, weâre offering you the chance to get involved in an epic adventure with Maz Evans! We're celebrating the release of Oh Maya Gods!, the first instalment in Maz Evans' Who Let The Gods Out? spin-off series, by asking booksellers to put their best foot â and window displays â forward!Â